Category “Finished Series Collection”

To Aru Majutsu no Index Review – 67/100

Tuesday, 2 August, 2011

The Essentials

To Aru Majutsu no IndexName: A Certain Magical Index, To Aru Majutsu no Index

Genre: Supernatural, Action

Episodes: 24

Aired: October 4, 2008 – March 19, 2009

Based On: A Certain Magical Index light novel series by Kazuma Kamachi

Director: Hiroshi Nishikiori

Produced By: J.C. Staff

US Distribution By: Not Licensed

Cast

Character Japanese Cast
Toma Kamijo: Atsushi Abe
Index: Yuka Iguchi
Mikoto Misaka: Rina Satou
Motoharu Tsuchimikado: Anri Katsu
Aisa Himegami: Mamiko Noto
Misaka: Nozomi Sasaki
Komoe Tsukuyomi: Kimiko Koyama

Review

A Certain Magical Index revolves around Toma, a student in the esper-filled Academy City, and Index, a magician and member of the Church of England.

Toma is a level-0 esper, meaning that he has virtually no power, yet he able to stop or deflect any and all esper or magical powers using his right arm, which has a power named Imagine Breaker. One day, Toma finds Index alseep on his balcony railing, after she landed there while being chased across Academy City by fellow magicians. Index tells Toma that her memory contains the texts of 103,000 magical books forbidden by the Catholic church – books that many rouge magicians or rival religious groups are persuing.

Toma’s meeting with Index starts him down a path into a world where the magical world and the “scientific” esper world meet.

The best way to describe this series is perhaps by saying that it largely a collection of marginally-related story arcs. I say marginally-related in the sense that sometimes later arcs depend somewhat on what occurred in previous arcs, but often the story arcs are largely if not entirely independent of each other.

This leads me into one of the major things I don’t like about this series: The prolific number of essentially “come and go” characters – characters which show up at the start of the story arc, and then when that arc ends, are rarely if ever heard of again. Outside of about 5 or 6 core characters, nearly every character is only around for 3 or 4 episodes during a particular story arc, and then largely disappear. This is one of the main reasons why most of the story arcs seemed so disconnected to me, even if they were tied together by including one or more of the primary characters.

Another thing I didn’t particularly like about his series is that I’m not sure when the last time I saw an action-based series where the title character has so little to do with what is actually going on. Yes, Index is around, but sometimes she seems to disappear for whole episodes at a time, and is only really the center of action in only one or two story arcs near the start of the series. Otherwise, she largely becomes a character used for comic relief and little more.

Yet another thing I didn’t like is that the show started to explore some of the conflicts in the magical world – both between magical factions and between magic and science, but never really came to any real conclusion for any of these conflicts. Perhaps these will be fleshed out in a sequel some point down the line, but for the time being, the show had a bad habit of leaving too many loose ends.

Having said all that, the stories within each individual story arc is often pretty good. The problem is that the good storytelling usually is self contained within specific story arcs, but doesn’t span them.

The one place where the show excels is it’s animation, where the producers of the show did decide to go all out. However, the music seems to be overall only mediocre.

In the end, A Certain Magical Index is kind of like a food that comes in a flashy package, but in the end doesn’t taste good and isn’t very filling. As a result, some people may still like it because it’s flashy, but I think most people will probably come away asking what the point of it all was.

Shinigami no Ballad Review – 83/100

Sunday, 31 July, 2011

The Essentials

Shinigami no Ballad LogoName: Ballad of a Shinigami, Momo the girl god of death

Genre: Drama, Fantasy

Episodes: 6

Released: March 2, 2006 – April 6, 2006

Based On: Shinigami no Ballad light novels by K-Ske Hasegawa

Director: Tomomi Mochizuki

Produced By: Pony Canyon, Group TAC, Ginga-ya

US Distribution By: N/A

Major Japanese Cast

Momo: Akiko Kobayashi

Daniel: Ai Shimizu

Kōta Seto: Akiyo Kanada

Mai Makihara: Chiwa Saito

Mitsuki Asano: Yuki Kaida

Yutaka Fujishima: Kana Ueda

Kantaro Ichihara: Toshiyuki Toyonaga

Tomato Fujiwara: Kanako Mitsuhashi

Chiaki Kazama: Tomoko Sadohara

Fuyuki Kazama: Ryoko Shiraishi

Eko Miyazaki: Fuyuka Oura

Sakura Kosakai: Nobuyuki Kobushi

Review

Shinigami no Ballad is about Momo, a Shinigami – basically the Japanese version of the grim reaper except cuter in this case – and her cat companion Daniel. The series addresses six different stories which deal with death in one way or another, with Momo playing a critical role each time.

These stories range from a young girl eventually succumbing to an illness, to pushing someone to live his life to the fullest since “you’ll eventually die someday,” to not being able to say “sorry” for things you said to a love one just before they died.

I think each of the six stories are interesting in their own right, and I like how each of the six stories were able to address the issue of death in unique ways. Of course the main negative to having six stories in six episodes is that none of the stories necessarily have time to really stand out or leave a lasting impression, but I’m not sure how important this is with a series this short (there is a reason why I have a minimum episode count before I give a coherence score, after all).

I’d say if you’re interested in a well written set of stories about an unusual topic (how many series deal with the issue of death this head on), I’d recommend Ballad of a Shinigami, especially since it is easy to watch in a single sitting.

Baccano! Review – 93/100

Sunday, 31 July, 2011

The EssentialsBaccano Logo

Name: Baccano

Genre: Action, Adventure, Fantasy

Episodes: 13 + 3 OVAs

Released: July 26, 2007 – November 1, 2007

Based On: Baccano light novels by Ryohgo Narita

Director: Takahiro Omori

Produced By: Brains Base, MediaWorks

US Distribution By: Funimation

Major Japanese Cast

Isaac Dian: Masaya Onosaka

Miria Harvent: Sayaka Aoki

Firo Prochainezo: Hiroyuki Yoshino

Szilard Quates: Kinryuu Arimoto

Ennis: Sanae Kobayashi

Maiza Avaro: Mitsuru Miyamoto

Ladd Russo: Keiji Fujiwara

Lua Klein: Eri Yasui

Jacuzzi Splot: Daisuke Sakaguchi

Nice Holystone: Yu Kobayashi

Claire Stanfield: Masakazu Morita

Dallas Genoard: Atsushi Imaruoka

Eve Genoard: Marina Inoue

Chane Laforet: Ryou Hirohashi

Czeslaw Meyer: Akemi Kanda

Carol: Chiwa Saito

Review

Anyone who tries the first episode of Baccano! will immediately notice one thing: the immensely huge cast of characters. I could be wrong, but this can very well be the 13-episoded series with the biggest amount of characters ever. While it’s incredibly hard to make a story with so many characters that stretches over three different timelines come together, the creators of Baccano! actually pull this off. And how!

Basically, Baccano! combines immortal alchemists with the American Mafia in 1930. It works quite well, because there are so many different characters, they just have to go beyond the clichés in order to prevent characters who look too much like each other. This results in the quirky thieves of Isaac and Miria, the psychotic Ladd and the charming Luck. While it’s of course impossible for the character to reach the same level of depth as, say, Toward the Terra, but the creators did manage to give every important character (if I had to guess, there’s about thirty of them) an identity, a clearly defined role, a small piece of development and an actual personality.

And I haven’t even started talking about the story yet. Basically, it goes from a completely incomprehensible first episode to a captivating mystery-series, where all the threads of the huge amount of side-stories end up resolved at the end of the final episode. It furthermore tells the story of three, sometimes even four, related timelines right through each other. Because of this, the creators are able to plan the climaxes really well, and they turn into one huge success, with a near-perfect combination between comedy, drama and action. I really mean it when I say that Baccano! has some of the best writing of the entire year.

In terms of production-values, this series also shines. Especially the character-designs: not only do the creators manage to give every one of the about thirty important characters a unique look, they manage to actually do this for even the unimportant and side-characters (if I had to guess, there are about eighty of them). The animation may not look crisp, but it’s detailed, never giving off a feeling of still-frame abuse. The soundtrack consists out of a bunch of catchy Jazz-tunes, which makes me wonder why not more anime turn to this, as it works great to give action-scenes a bit of a quirky touch.

Regarding the bad points, there aren’t really any true flaws about this series, apart from the sacrifices that had to be made for the good points. The first episode is basically one huge puzzle, and only later in the series will things start to make sense. The characters individually aren’t very special either. It’s only when they are combined with others that they become special and interesting.

Overall, there need to be more anime like Baccano! It’s not often when you run into a series that’s as well-written as this one. It’s a definite recommendation from me, provided that you can take a few gory scenes that pop up once in a while.